*Is 7 - Revision history

LukaRepansek at 14:12, 21 April 2024

2024-04-21T14:12:38Z

← Older revision		Revision as of 16:12, 21 April 2024
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	\|file=Is 7 Risba_Ida Murgelj Narodni muzej Slovenije.jpg		\|file=Is 7 Risba_Ida Murgelj Narodni muzej Slovenije.jpg
	\|imageCaption=Drawing: Ida Murgelj © Narodni muzej Slovenije / National Museum of Slovenia		\|imageCaption=Drawing: Ida Murgelj © Narodni muzej Slovenije / National Museum of Slovenia
	\|test=<div id="slikce"><img id="v1r" src="venetianLetters/v1r.png"><img id="o2" src="venetianLetters/o2.png"><img id="t1" src="venetianLetters/t1.png"><img id="u1" src="venetianLetters/u1.png"><img id="r1" src="venetianLetters/r1.png"><img id="o2" src="venetianLetters/o2.png"><img id="int1" src="venetianLetters/int1.png"><img id="s1r" src="venetianLetters/s1r.png"><img id="int1" src="venetianLetters/int1.png"><img id="spacebar-letter" src="venetianLetters/spacebar-letter.png"><img id="v1r" src="venetianLetters/v1r.png"><img id="o2" src="venetianLetters/o2.png"><img id="int1" src="venetianLetters/int1.png"><img id="~~l1r~~" src="venetianLetters/~~l1r~~.png"><img id="int1" src="venetianLetters/int1.png"><img id="~~l1r~~" src="venetianLetters/~~l1r~~.png"><img id="k2" src="venetianLetters/k2.png"><img id="int1" src="venetianLetters/int1.png"><img id="m1" src="venetianLetters/m1.png"><img id="o2" src="venetianLetters/o2.png"><img id="int1" src="venetianLetters/int1.png"><img id="s1" src="venetianLetters/s1.png"><img id="int1" src="venetianLetters/int1.png"></div>		\|test=<div id="slikce"><img id="v1r" src="venetianLetters/v1r.png"><img id="o2" src="venetianLetters/o2.png"><img id="t1" src="venetianLetters/t1.png"><img id="u2" src="venetianLetters/u2.png"><img id="r1" src="venetianLetters/r1.png"><img id="o2" src="venetianLetters/o2.png"><img id="int1" src="venetianLetters/int1.png"><img id="s1r" src="venetianLetters/s1r.png"><img id="int1" src="venetianLetters/int1.png"><img id="spacebar-letter" src="venetianLetters/spacebar-letter.png"><img id="v1r" src="venetianLetters/v1r.png"><img id="o2" src="venetianLetters/o2.png"><img id="int1" src="venetianLetters/int1.png"><img id="p1r" src="venetianLetters/p1r.png"><img id="int1" src="venetianLetters/int1.png"><img id="p1r" src="venetianLetters/p1r.png"><img id="k2" src="venetianLetters/k2.png"><img id="int1" src="venetianLetters/int1.png"><img id="n" src="venetianLetters/n.png"><img id="o2" src="venetianLetters/o2.png"><img id="int1" src="venetianLetters/int1.png"><img id="s1" src="venetianLetters/s1.png"><img id="int1" src="venetianLetters/int1.png"></div>
	}}		}}

LukaRepansek at 16:05, 20 April 2024

2024-04-20T16:05:05Z

← Older revision		Revision as of 18:05, 20 April 2024
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	\|context=open-air cult site		\|context=open-air cult site
	\|culture=the Sveta Lucija Hallstatt cultural group		\|culture=the Sveta Lucija Hallstatt cultural group
	\|date=late 2nd or 1st ~~century~~ BC		\|date=late 2nd or 1st c. BC
	\|commentary=<p>The object was discovered in what seems to have been an open-air cult site or a sanctuary situated in Vrh gradu, an important archaeological site on the karst plateau known as Šentviška planota, which appears to have functioned as one of the important centres in the hinterland of the Sveta Lucija Hallstatt cultural group. The locality Vrh gradu lies west to the village Pečine at the rocky edge of the plateau itself.</p>		\|commentary=<p>The object was discovered in what seems to have been an open-air cult site or a sanctuary situated in Vrh gradu, an important archaeological site on the karst plateau known as Šentviška planota, which appears to have functioned as one of the important centres in the hinterland of the Sveta Lucija Hallstatt cultural group. The locality Vrh gradu lies west to the village Pečine at the rocky edge of the plateau itself.</p>
	<p>Is 7 is the only example of a silver votive plaque bearing an inscription found so far. It is rectangular in shape (measuring 3.7 cm × 3.3 cm) and features a rim bordered with embossed dots. In its centre, it is additionally decorated by a ring encircling a dot. The space between the central ring and the dot is damaged by a hole that must have been produced by a nail with which the plaque was attached to a surface, probably originally to a tree. The metal is thin (0.1 cm). Between the bordered rim and the central ring, a dextroverse spiral inscription is chased in the Venetic script of the Posočje (also know as the Idrija) type of the Venetic alphabet. The defining characteristics are the shape of the ''tau'' (T = Lejeune’s ''t<sub>4</sub>'') and the strategy of reversing the ''lambda ''so that it points opposite to the general direction of the sequence, which seems to have been a more or less systematic way of distinguishing between the ''lambda ''and the ''pi'', which would have otherwise coalesced. The inscriptions features a personal name ''voturo.s.'', followed by a patronymic ''vo.l.lk.no.s.'' in ''-(i)kno-''. The heavy consonant cluster ''-llk- ''is erroneously interpunctuated as ''-.l.lk.- ''for expected ''-.l.l.k.-''. The fourth ''omikron ''is poorly executed, resembling two parallel lines, which has been erroneously read as ''ij ''by Crevatin in 2012. The correct reading was established and defended in Repanšek 2020 and has been adopted since. In the same publication the inscription has been assigned the siglum *Is 7.</p>		<p>Is 7 is the only example of a silver votive plaque bearing an inscription found so far. It is rectangular in shape (measuring 3.7 cm × 3.3 cm) and features a rim bordered with embossed dots. In its centre, it is additionally decorated by a ring encircling a dot. The space between the central ring and the dot is damaged by a hole that must have been produced by a nail with which the plaque was attached to a surface, probably originally to a tree. The metal is thin (0.1 cm). Between the bordered rim and the central ring, a dextroverse spiral inscription is chased in the Venetic script of the Posočje (also know as the Idrija) type of the Venetic alphabet. The defining characteristics are the shape of the ''tau'' (T = Lejeune’s ''t<sub>4</sub>'') and the strategy of reversing the ''lambda ''so that it points opposite to the general direction of the sequence, which seems to have been a more or less systematic way of distinguishing between the ''lambda ''and the ''pi'', which would have otherwise coalesced. The inscriptions features a personal name ''voturo.s.'', followed by a patronymic ''vo.l.lk.no.s.'' in ''-(i)kno-''. The heavy consonant cluster ''-llk- ''is erroneously interpunctuated as ''-.l.lk.- ''for expected ''-.l.l.k.-''. The fourth ''omikron ''is poorly executed, resembling two parallel lines, which has been erroneously read as ''ij ''by Crevatin in 2012. The correct reading was established and defended in Repanšek 2020 and has been adopted since. In the same publication the inscription has been assigned the siglum *Is 7.</p>

LukaRepansek at 18:31, 19 April 2024

2024-04-19T18:31:41Z

LukaRepansek at 18:28, 19 April 2024

2024-04-19T18:28:52Z

← Older revision		Revision as of 20:28, 19 April 2024
Line 11:		Line 11:
	\|culture=the Sveta Lucija Hallstatt cultural group		\|culture=the Sveta Lucija Hallstatt cultural group
	\|date=late 2nd or 1st century BC		\|date=late 2nd or 1st century BC
	\|commentary=<p ~~style="text-align: justify;"~~ >The object was discovered in what seems to have been an open-air cult site or a sanctuary situated in Vrh gradu, an important archaeological site on the karst plateau known as Šentviška planota, which appears to have functioned as one of the important centres in the hinterland of the Sveta Lucija Hallstatt cultural group. The locality Vrh gradu lies west to the village Pečine at the rocky edge of the plateau itself.</p><p ~~style="text-align: justify;"~~ >Is 7 is the only example of a silver votive plaque bearing an inscription found so far. It is rectangular in shape (measuring 3.7 cm × 3.3 cm) and features a rim bordered with embossed dots. In its centre, it is additionally decorated by a ring encircling a dot. The space between the central ring and the dot is damaged by a hole that must have been produced by a nail with which the plaque was attached to a surface, probably originally to a tree. The metal is thin (0.1 cm). Between the bordered rim and the central ring, a dextroverse spiral inscription is chased in the Venetic script of the Posočje (also know as the Idrija) type of the Venetic alphabet. The defining characteristics are the shape of the ''tau'' (T = Lejeune’s ''t<sub>4</sub>'') and the strategy of reversing the ''lambda ''so that it points opposite to the general direction of the sequence, which seems to have been a more or less systematic way of distinguishing between the ''lambda ''and the ''pi'', which would have otherwise coalesced. The inscriptions features a personal name ''voturo.s.'', followed by a patronymic ''vo.l.lk.no.s.'' in ''-(i)kno-''. The heavy consonant cluster ''-llk- ''is erroneously interpunctuated as ''-.l.lk.- ''for expected ''-.l.l.k.-''. The fourth ''omikron ''is poorly executed, resembling two parallel lines, which has been erroneously read as ''ij ''by Crevatin in 2012. The correct reading was established and defended in Repanšek 2020 and has been adopted since. In the same publication the inscription has been assigned the siglum *Is 7.</p><p ~~style="text-align: justify;"~~ >Based on several typological parallels the object has been dated to the end of the 2<sup>nd</sup> or the 1<sup>st</sup> centuries BC. These are represented by a group of bronze rectangular votive plaques (12 inscriptional) from the sanctuary in Gurina (the upper Gail Valley), datable to the 2<sup>nd</sup> and 1<sup>st</sup> c. BC, six bronze votive plaques from the Iron Age sanctuary at Gradič near Kobarid (non-inscriptional), dated to the last decades of the 2<sup>nd</sup> c. BC or the 1<sup>st</sup> c. BC, and an additional example from the cult site Colle Mazéit near Verzegnis in Carnia.</p><p ~~style="text-align: justify;"~~ >The object is kept in the Tolmin Museum (Tolminski muzej), inv. nb. TM 1506.</p>		\|commentary=<p>The object was discovered in what seems to have been an open-air cult site or a sanctuary situated in Vrh gradu, an important archaeological site on the karst plateau known as Šentviška planota, which appears to have functioned as one of the important centres in the hinterland of the Sveta Lucija Hallstatt cultural group. The locality Vrh gradu lies west to the village Pečine at the rocky edge of the plateau itself.</p>
	\|bibliography=<p style="text-align: ~~justify~~;" ><span style="color: rgb(230, 126, 35);" >Mlinar, Miha (2023).</span> Vrh gradu na Šentviški planoti – communicating with the gods. In: D. Pavlovič (ed.), ''Tweets from the past. Slovenian archaeology through sounds, symbols and first written words''. Ljubljana: Narodni muzej Slovenije, pp. 280–283.</p><p style="text-align: ~~justify~~;" ><span style="color: rgb(230, 126, 35);" >Repanšek, Luka (2022).</span> Posoškovenetski areal v luči novejših epigrafskih najdb / Isonzian Venetic inscriptions in the light of recent finds. ''Arheološki vestnik ''73, pp. 601–615.</p><p style="text-align: ~~justify~~;" ><span style="color: rgb(230, 126, 35);" >Repanšek, Luka (2020). </span>Towards the Interpretation of *Is 7. In: Th. L. Markey, L. Repanšek (eds.), ''Revisiting Dispersions. Celtic and Germanic ca. 400 BC – ca. 400 AD. Proceedings of the International Interdisciplinary Conference held at Dolenjski muzej, Novo mesto, Slovenia; October 12 th – 14th, 2018'' (Journal of Indo-European Studies Monograph Series 67). Washington D.C.: Institute for the Study of Man, pp. 162–183.</p><p style="text-align: ~~justify~~;" ><span style="color: rgb(230, 126, 35);" >Laharnar, Boštjan & P. Turk (2018).</span> ''Iron Age stories from the crossroads''. Ljubljana: Narodni muzej Slovenije, Fig. 192.</p><p style="text-align: ~~justify~~;" ><span style="color: rgb(230, 126, 35);" >Laharnar, Boštjan & P. Turk (2018).</span>'''<span style="color: rgb(230, 126, 35);" > </span>'''''Železnodobne zgodbe s stičišča svetov''. Ljubljana: Narodni muzej Slovenije, Fig. 192.</p><p style="text-align: ~~justify~~;" ><span style="color: rgb(230, 126, 35);" >Laharnar, Boštjan & Miha Mlinar (2014).</span> Prazgodovinski srebrni daritveni ploščici s Šentviške planine. ''Keria ''16/1, pp. 9–20.</p><p style="text-align: ~~justify~~;" ><span style="color: rgb(230, 126, 35);" >Mlinar, Miha & Franco Crevatin (2012).</span> Laminetta d’argento con iscrizione venetica proveniente da Vrh gradu sull’altipiano di Šentviška planota in Slovenia occidentale. In: G. Borghello, V. Orioles (eds.), ''Per Roberto Gusmani: Studi in ricordo, vol. 2: Linguistica storica e teorica I''. Udine: Forum, pp. 287–294.</p><p style="text-align: ~~justify~~;" ><span style="color: rgb(230, 126, 35);" >Božič, Dragan (2011).</span> Prazgodovinske najdbe s Tonovcovega gradu in železnodobna kultna mesta v Posočju / Prehistoric finds from Tonovcov grad and Iron Age cult places in Posočje. In: Z. Modrijan, T. Milavec (eds.), ''Poznoantična'' ''utrjena naselbina Tonovcov grad pri Kobaridu, Najdbe ''/'' Late Antique'' ''fortified settlement Tonovcov grad near Kobarid, Finds ''(Opera Instituti Archaeologici Sloveniae 24), pp. 239–277 (pp. 257–259). Ljubljana: ZRC SAZU.</p>		<p>Is 7 is the only example of a silver votive plaque bearing an inscription found so far. It is rectangular in shape (measuring 3.7 cm × 3.3 cm) and features a rim bordered with embossed dots. In its centre, it is additionally decorated by a ring encircling a dot. The space between the central ring and the dot is damaged by a hole that must have been produced by a nail with which the plaque was attached to a surface, probably originally to a tree. The metal is thin (0.1 cm). Between the bordered rim and the central ring, a dextroverse spiral inscription is chased in the Venetic script of the Posočje (also know as the Idrija) type of the Venetic alphabet. The defining characteristics are the shape of the ''tau'' (T = Lejeune’s ''t<sub>4</sub>'') and the strategy of reversing the ''lambda ''so that it points opposite to the general direction of the sequence, which seems to have been a more or less systematic way of distinguishing between the ''lambda ''and the ''pi'', which would have otherwise coalesced. The inscriptions features a personal name ''voturo.s.'', followed by a patronymic ''vo.l.lk.no.s.'' in ''-(i)kno-''. The heavy consonant cluster ''-llk- ''is erroneously interpunctuated as ''-.l.lk.- ''for expected ''-.l.l.k.-''. The fourth ''omikron ''is poorly executed, resembling two parallel lines, which has been erroneously read as ''ij ''by Crevatin in 2012. The correct reading was established and defended in Repanšek 2020 and has been adopted since. In the same publication the inscription has been assigned the siglum *Is 7.</p>
			<p>Based on several typological parallels the object has been dated to the end of the 2<sup>nd</sup> or the 1<sup>st</sup> centuries BC. These are represented by a group of bronze rectangular votive plaques (12 inscriptional) from the sanctuary in Gurina (the upper Gail Valley), datable to the 2<sup>nd</sup> and 1<sup>st</sup> c. BC, six bronze votive plaques from the Iron Age sanctuary at Gradič near Kobarid (non-inscriptional), dated to the last decades of the 2<sup>nd</sup> c. BC or the 1<sup>st</sup> c. BC, and an additional example from the cult site Colle Mazéit near Verzegnis in Carnia.</p>
			<p>The object is kept in the Tolmin Museum (Tolminski muzej), inv. nb. TM 1506.</p>
			\|bibliography=<p style="text-align: left;" ><span style="color: rgb(230, 126, 35);">Mlinar, Miha (2023).</span> Vrh gradu na Šentviški planoti – communicating with the gods. In: D. Pavlovič (ed.), ''Tweets from the past. Slovenian archaeology through sounds, symbols and first written words''. Ljubljana: Narodni muzej Slovenije, pp. 280–283.</p>
			<p style="text-align: left;" ><span style="color: rgb(230, 126, 35);">Repanšek, Luka (2022).</span> Posoškovenetski areal v luči novejših epigrafskih najdb / Isonzian Venetic inscriptions in the light of recent finds. ''Arheološki vestnik ''73, pp. 601–615.</p>
			<p style="text-align: left;" ><span style="color: rgb(230, 126, 35);">Repanšek, Luka (2020). </span>Towards the Interpretation of *Is 7. In: Th. L. Markey, L. Repanšek (eds.), ''Revisiting Dispersions. Celtic and Germanic ca. 400 BC – ca. 400 AD. Proceedings of the International Interdisciplinary Conference held at Dolenjski muzej, Novo mesto, Slovenia; October 12 th – 14th, 2018'' (Journal of Indo-European Studies Monograph Series 67). Washington D.C.: Institute for the Study of Man, pp. 162–183.</p>
			<p style="text-align: left;" ><span style="color: rgb(230, 126, 35);">Laharnar, Boštjan & P. Turk (2018).</span> ''Iron Age stories from the crossroads''. Ljubljana: Narodni muzej Slovenije, Fig. 192.</p>
			<p style="text-align: left;" ><span style="color: rgb(230, 126, 35);">Laharnar, Boštjan & P. Turk (2018).</span>'''<span style="color: rgb(230, 126, 35);"> </span>'''''Železnodobne zgodbe s stičišča svetov''. Ljubljana: Narodni muzej Slovenije, Fig. 192.</p>
			<p style="text-align: left;" ><span style="color: rgb(230, 126, 35);">Laharnar, Boštjan & Miha Mlinar (2014).</span> Prazgodovinski srebrni daritveni ploščici s Šentviške planine. ''Keria ''16/1, pp. 9–20.</p>
			<p style="text-align: left;" ><span style="color: rgb(230, 126, 35);">Mlinar, Miha & Franco Crevatin (2012).</span> Laminetta d’argento con iscrizione venetica proveniente da Vrh gradu sull’altipiano di Šentviška planota in Slovenia occidentale. In: G. Borghello, V. Orioles (eds.), ''Per Roberto Gusmani: Studi in ricordo, vol. 2: Linguistica storica e teorica I''. Udine: Forum, pp. 287–294.</p>
			<p style="text-align: left;" ><span style="color: rgb(230, 126, 35);">Božič, Dragan (2011).</span> Prazgodovinske najdbe s Tonovcovega gradu in železnodobna kultna mesta v Posočju / Prehistoric finds from Tonovcov grad and Iron Age cult places in Posočje. In: Z. Modrijan, T. Milavec (eds.), ''Poznoantična'' ''utrjena naselbina Tonovcov grad pri Kobaridu, Najdbe ''/'' Late Antique'' ''fortified settlement Tonovcov grad near Kobarid, Finds ''(Opera Instituti Archaeologici Sloveniae 24), pp. 239–277 (pp. 257–259). Ljubljana: ZRC SAZU.</p>
	\|file=Is 7 Risba_Ida Murgelj Narodni muzej Slovenije.jpg		\|file=Is 7 Risba_Ida Murgelj Narodni muzej Slovenije.jpg
	\|imageCaption=Drawing: Ida Murgelj		\|imageCaption=Drawing: Ida Murgelj © Narodni muzej Slovenije / National Museum of Slovenia
	}}		}}

LukaRepansek at 18:27, 19 April 2024

2024-04-19T18:27:22Z

@@ Line 1: / Line 1: @@
 {{Inscription
 |trasnliteration=voturo.s. vo.l.lk.no.s.
 |findspot=Vrh gradu near Pečine
 }}

LukaRepansek: Created page with "{{Inscription |trasnliteration=voturo.s. vo.l.lk.no.s. |findspot=Vrh gradu near Pečine }}"

2024-04-19T11:43:13Z

Created page with "{{Inscription |trasnliteration=voturo.s. vo.l.lk.no.s. |findspot=Vrh gradu near Pečine }}"

New page

{{Inscription
|trasnliteration=voturo.s. vo.l.lk.no.s.
|findspot=Vrh gradu near Pečine
}}

← Older revision		Revision as of 20:31, 19 April 2024
Line 15:		Line 15:
	<p>Based on several typological parallels the object has been dated to the end of the 2<sup>nd</sup> or the 1<sup>st</sup> centuries BC. These are represented by a group of bronze rectangular votive plaques (12 inscriptional) from the sanctuary in Gurina (the upper Gail Valley), datable to the 2<sup>nd</sup> and 1<sup>st</sup> c. BC, six bronze votive plaques from the Iron Age sanctuary at Gradič near Kobarid (non-inscriptional), dated to the last decades of the 2<sup>nd</sup> c. BC or the 1<sup>st</sup> c. BC, and an additional example from the cult site Colle Mazéit near Verzegnis in Carnia.</p>		<p>Based on several typological parallels the object has been dated to the end of the 2<sup>nd</sup> or the 1<sup>st</sup> centuries BC. These are represented by a group of bronze rectangular votive plaques (12 inscriptional) from the sanctuary in Gurina (the upper Gail Valley), datable to the 2<sup>nd</sup> and 1<sup>st</sup> c. BC, six bronze votive plaques from the Iron Age sanctuary at Gradič near Kobarid (non-inscriptional), dated to the last decades of the 2<sup>nd</sup> c. BC or the 1<sup>st</sup> c. BC, and an additional example from the cult site Colle Mazéit near Verzegnis in Carnia.</p>
	<p>The object is kept in the Tolmin Museum (Tolminski muzej), inv. nb. TM 1506.</p>		<p>The object is kept in the Tolmin Museum (Tolminski muzej), inv. nb. TM 1506.</p>
	\|bibliography=<p style="text-align: left;" ><span style="color: rgb(230, 126, 35);">Mlinar, Miha (2023).</span> Vrh gradu na Šentviški planoti – communicating with the gods. In: D. Pavlovič (ed.), ''Tweets from the past. Slovenian archaeology through sounds, symbols and first written words''. Ljubljana: Narodni muzej Slovenije, pp. 280–283.</p>		\|bibliography=<p style="text-align: left;"><span style="color: rgb(230, 126, 35);">Mlinar, Miha (2023).</span> Vrh gradu na Šentviški planoti – communicating with the gods. In: D. Pavlovič (ed.), ''Tweets from the past. Slovenian archaeology through sounds, symbols and first written words''. Ljubljana: Narodni muzej Slovenije, pp. 280–283.</p>
	<p style="text-align: left;" ><span style="color: rgb(230, 126, 35);">Repanšek, Luka (2022).</span> Posoškovenetski areal v luči novejših epigrafskih najdb / Isonzian Venetic inscriptions in the light of recent finds. ''Arheološki vestnik ''73, pp. 601–615.</p>		<p style="text-align: left;"><span style="color: rgb(230, 126, 35);">Repanšek, Luka (2022).</span> Posoškovenetski areal v luči novejših epigrafskih najdb / Isonzian Venetic inscriptions in the light of recent finds. ''Arheološki vestnik ''73, pp. 601–615.</p>
	<p style="text-align: left;" ><span style="color: rgb(230, 126, 35);">Repanšek, Luka (2020). </span>Towards the Interpretation of *Is 7. In: Th. L. Markey, L. Repanšek (eds.), ''Revisiting Dispersions. Celtic and Germanic ca. 400 BC – ca. 400 AD. Proceedings of the International Interdisciplinary Conference held at Dolenjski muzej, Novo mesto, Slovenia; October 12 th – 14th, 2018'' (Journal of Indo-European Studies Monograph Series 67). Washington D.C.: Institute for the Study of Man, pp. 162–183.</p>		<p style="text-align: left;"><span style="color: rgb(230, 126, 35);">Repanšek, Luka (2020). </span>Towards the Interpretation of *Is 7. In: Th. L. Markey, L. Repanšek (eds.), ''Revisiting Dispersions. Celtic and Germanic ca. 400 BC – ca. 400 AD. Proceedings of the International Interdisciplinary Conference held at Dolenjski muzej, Novo mesto, Slovenia; October 12 th – 14th, 2018'' (Journal of Indo-European Studies Monograph Series 67). Washington D.C.: Institute for the Study of Man, pp. 162–183.</p>
	<p style="text-align: left;" ><span style="color: rgb(230, 126, 35);">Laharnar, Boštjan & P. Turk (2018).</span> ''Iron Age stories from the crossroads''. Ljubljana: Narodni muzej Slovenije, Fig. 192.</p>		<p style="text-align: left;"><span style="color: rgb(230, 126, 35);">Laharnar, Boštjan & P. Turk (2018).</span> ''Iron Age stories from the crossroads''. Ljubljana: Narodni muzej Slovenije, Fig. 192.</p>
	<p style="text-align: left;" ><span style="color: rgb(230, 126, 35);">Laharnar, Boštjan & P. Turk (2018).</span>'''<span style="color: rgb(230, 126, 35);"> </span>'''''Železnodobne zgodbe s stičišča svetov''. Ljubljana: Narodni muzej Slovenije, Fig. 192.</p>		<p style="text-align: left;"><span style="color: rgb(230, 126, 35);">Laharnar, Boštjan & P. Turk (2018).</span>'''<span style="color: rgb(230, 126, 35);"> </span>'''''Železnodobne zgodbe s stičišča svetov''. Ljubljana: Narodni muzej Slovenije, Fig. 192.</p>
	<p style="text-align: left;" ><span style="color: rgb(230, 126, 35);">Laharnar, Boštjan & Miha Mlinar (2014).</span> Prazgodovinski srebrni daritveni ploščici s Šentviške planine. ''Keria ''16/1, pp. 9–20.</p>		<p style="text-align: left;"><span style="color: rgb(230, 126, 35);">Laharnar, Boštjan & Miha Mlinar (2014).</span> Prazgodovinski srebrni daritveni ploščici s Šentviške planine. ''Keria ''16/1, pp. 9–20.</p>
	<p style="text-align: left;" ><span style="color: rgb(230, 126, 35);">Mlinar, Miha & Franco Crevatin (2012).</span> Laminetta d’argento con iscrizione venetica proveniente da Vrh gradu sull’altipiano di Šentviška planota in Slovenia occidentale. In: G. Borghello, V. Orioles (eds.), ''Per Roberto Gusmani: Studi in ricordo, vol. 2: Linguistica storica e teorica I''. Udine: Forum, pp. 287–294.</p>		<p style="text-align: left;"><span style="color: rgb(230, 126, 35);">Mlinar, Miha & Franco Crevatin (2012).</span> Laminetta d’argento con iscrizione venetica proveniente da Vrh gradu sull’altipiano di Šentviška planota in Slovenia occidentale. In: G. Borghello, V. Orioles (eds.), ''Per Roberto Gusmani: Studi in ricordo, vol. 2: Linguistica storica e teorica I''. Udine: Forum, pp. 287–294.</p>
	<p style="text-align: left;" ><span style="color: rgb(230, 126, 35);">Božič, Dragan (2011).</span> Prazgodovinske najdbe s Tonovcovega gradu in železnodobna kultna mesta v Posočju / Prehistoric finds from Tonovcov grad and Iron Age cult places in Posočje. In: Z. Modrijan, T. Milavec (eds.), ''Poznoantična'' ''utrjena naselbina Tonovcov grad pri Kobaridu, Najdbe ''/'' Late Antique'' ''fortified settlement Tonovcov grad near Kobarid, Finds ''(Opera Instituti Archaeologici Sloveniae 24), pp. 239–277 (pp. 257–259). Ljubljana: ZRC SAZU.</p>		<p style="text-align: left;"><span style="color: rgb(230, 126, 35);">Božič, Dragan (2011).</span> Prazgodovinske najdbe s Tonovcovega gradu in železnodobna kultna mesta v Posočju / Prehistoric finds from Tonovcov grad and Iron Age cult places in Posočje. In: Z. Modrijan, T. Milavec (eds.), ''Poznoantična'' ''utrjena naselbina Tonovcov grad pri Kobaridu, Najdbe ''/'' Late Antique'' ''fortified settlement Tonovcov grad near Kobarid, Finds ''(Opera Instituti Archaeologici Sloveniae 24), pp. 239–277 (pp. 257–259). Ljubljana: ZRC SAZU.</p>
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